Classical and romantical Performance Practice 1750-1900 (en)
von Clive Brown

Komponist/Autor: Clive Brown

Verlag: Oxford University Press Distribution Ser

Verlagsnummer: 9780195166651

EAN: 9780195166651

ISBN: 978-0-19-516665-1

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

Foreword, Sir Roger Norrington Introduction 1:Accentuation in Theory 2:Accentuation in Practice 3:The Notation of Accents and Dynamics 4:Articulation 5:Articulation and Expression 6:The Notation of Articulation and Phrasing 7:String Bowing 8:Tempo 9:Alla Breve 10:Tempo Terms 11:Tempo Modification 12:Embellishment, Ornamentation, and Improvisation 13:Appoggiaturas, Trills, Turns, and Related Ornaments 14:Vibrato 15:Portamento 16:The fermata; Recitative; Arpeggiation; The Variable Dot and Other Aspects of Rhythmic Flexibility; Heavy and Light Performance Index

Leider hat noch keiner diesen Artikel bewertet.
Wer das ändern möchte: einfach rechts auf den großen Stern klicken!
Wir freuen uns immer über ehrliche Meinungen.