Informationen zu "Qui tollis für Glockenspiel, Vibraphone, Marimba, Tomtoms , Cymbal , Drums Partitur und Stimmen"
Verlag: Edition Peters
Verlagsnummer: EP12998
EAN: 9990901426508
ISMN: M-014-13595-9
Beschreibung
Qui tollis is a ten-minute work for four players of amplified percussion and pre-recorded samples. Featuring glockenspiels, vibraphone, marimba, toms, gongs, drums and cymbal, the piece takes its name from text of the Agnus Dei (Qui tollis = who takes).
;H;*-901426-50-9;;05.08.2025;
;;;;;;44,25;25,00
*-901426-51-7;1011911;;M-014-13800-4;EP14357A;;;9990901426515;Tsao, Ming;060739;Plus or Minus ;version for 2 pianos;; ;;;;;149310;Edition Peters;2025;;;139,00;;05.08.2025;GNPLUS [ 7%];7%;;0;13;versandfertig innerh. von 2-4 Wochen. Folgt.;;;;;_901426517.jpg;;0;0;0;112;;;;;0;1;J;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;;;0;;;1;TASTEN- UND BALGINSTRUMENTE ;1;KLAVIER ;4;ZWEI KLAVIERE ;0;;0;;;;;;;;;Plus or Minus, for two pianos and electronics, is a 50–minute free realization of Stockhausen’s open score composition of the same name from 1963. It refers to all 7 pages of the open score and utilizes two layers of activity, each of which is represented by one piano. The pianos themselves are transformed with transducer speakers placed throughout a piano’s chamber so that sound is essentially “spatialized” within. Single piano tones emerge and disappear continuously between transducer speakers that use the wood inside the piano as a vibrating source. Strange resonances emerge from the music of each performer that suggests seismic, often geological forces of activity that place human expression into its proper place as one aspect of a much more complex sound world.
;H;*-901426-51-7;;05.08.2025;
;;;;;;111,20;20,00
*-901426-52-5;1011912;;M-57702-567-4;EP14708;;;9990901426522;Corbett, William;000248;Canticle;for violin;; ;;;;;149310;Edition Peters;2025;104;;18,95;;05.08.2025;GNPLUS [ 7%];7%;;0;13;versandfertig innerh. von 2-4 Wochen. Folgt.;;;;;_901426525.jpg;;0;0;0;20;;;;;0;1;J;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;0;;;0;;;2;STREICH- UND ZUPFINSTRUMENTE ;1;VIOLINE ;1;VIOLINE SOLO ;0;;0;;;;;;;;;Canticle was commissioned by Drake University for my close friend, the violinist Sarah Plum. Sarah and I have collaborated many times over the more than two decades of our friendship. So when Sarah asked me about a piece inspired by one of the six Bach solo sonatas for violin I was of course thrilled, but also a little nervous, these Bach pieces being so familiar and so overwhelming in every way. I chose the A minor, a piece I particularly love. At the time of writing this piece I had just finished reading David Foster Wallace’s ‘Everything and More: A Concise History of Infinity’. Wallace is of course best known as a novelist, particularly for his expansive ‘Infinite Jest’ but he studied as a mathematician and his historical survey of mathematicians’ search for a way to grasp the concept of infinity in mathematics also led to considerations of irregular symmetries and infinite recursives in music. Of course, Bach’s music is also fertile ground for such considerations so in writing my piece I had these ideas in mind. The external architecture of my piece follows closely the structure of the Bach model but of course in all other things the music follows only my own imagination. Canticle is dedicated to Sarah Plum.
;H;*-901426-52-5;;05.08.2025;000248
01.01.1669-01.01.1748;;;;;;15,16;20,00
*-901426-53-3;1011913;;M-57702-568-1;EP14736;;;9990901426539;Schneid, Tobias PM;016681;Streichquartett Nr.3 Schumann 2"
